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When to Let Go: Knowing When an Artwork is Finished

Writer's picture: Rebecca BarnardRebecca Barnard

As an artist, one of the most challenging questions isn’t necessarily “What should I create?” but “Is it finished?” That nagging uncertainty can haunt the creative process, leaving you suspended between satisfaction and second-guessing. For abstract artists like myself, where there are no definitive boundaries or prescribed outcomes, the challenge becomes even more nuanced.



So, how do you know when to let go?


Abstract Street Scene
Fragile Edifice (Street Life Series). Finished painting.

The Dance Between Chaos and Clarity

Abstract art often thrives in ambiguity—a dynamic interplay of colour, form, and emotion. This lack of rigid structure can be liberating, but it can also make the endpoint elusive. Early in my practice, I often overworked pieces, unable to recognize when they’d already said what they needed to say. Over time, I'm learning to listen for subtler cues.


Sometimes, a painting feels like a conversation. There’s a point where it starts speaking back to you—where its visual language feels balanced, even if imperfect. For me, that’s a sign I’m close to the finish line.


Emotional Check-Ins: Trust Your Intuition

If your art is an emotional endeavour, your feelings often tell you more than your eyes. When I’m totally focussed on a painting, I periodically step back and ask:

  • Does this piece feel resolved?

  • Is there tension or harmony where I want it to be?

  • Am I still making deliberate choices, or just “doing more”?

When the work feels cohesive and aligned with the mood and theme I set out to explore, that’s usually a good time to stop.


The Practical Side of "Finished"

Beyond intuition, there are practical markers of completion.

  • Composition: Are the elements balanced without being predictable?

  • Colour Harmony: Does the palette communicate the intended emotion?

  • Texture and Layers: Have I achieved the desired depth without overwhelming the viewer?

I also consider whether the piece invites reflection without demanding endless explanation. If it holds its own mystery, it’s often ready to stand on its own.


Embracing Imperfection

One of the hardest lessons I’ve learned is that perfection is the enemy of progress. No artwork is ever truly perfect, and that’s part of its beauty. Sometimes, leaving space for the unknown is what gives a piece its soul.


In fact, the moments I’ve felt most hesitant to stop—when I thought, maybe just one more layer—are often the moments when restraint has served me best. Those pieces carry a raw energy that overworking might have dulled.


Letting Go Isn’t the End

Knowing when an artwork is finished and declaring this, isn’t a conclusion; it’s a transition. Once I let go, the artwork takes on a life of its own. Viewers bring their interpretations, emotions, and experiences to it, completing its story in ways I couldn’t have imagined.

Knowing when to let go isn’t just about the work itself—it’s about trusting the process, trusting your instincts, and finding peace in imperfection.


For those of you creating, whether in paint, words, or any other medium, I encourage you to pause, step back, and ask yourself: What am I chasing? Sometimes, the answer is already in front of you.

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